Friday, December 27, 2019
A Short Note On Non And Non Nonverbal Communication
NON VERBAL COMMUNICATION Non ââ¬âverbal communication comes under the purview of social interaction in sociology. Nonverbal communication affects how the words one says is perceived and understood . This type of communication includes gestures, touch, body language, posture, facial expressions, and eye contact. Nonverbal communication can also include messages communicated through material items. For example, clothing or hairstyle is a form of nonverbal exchange that communicates something about the individual. As a general rule, nonverbal communication can be studied based on the location or context of communication, the physical characteristics of the interlocutors, and the behaviors of the interlocutors in the course of the interactionâ⬠¦show more contentâ⬠¦These nonverbal behaviors can indicate a personââ¬â¢s feelings and rry themselves in different contexts. A fisherman will have a completely different gesture as compared to a corporate person .Postures E. Generational differences demonstrate how posture is socialized; older generations were taught to carry themselves with their shoulders farther back, prompting parents to remind todayââ¬â¢s youth to stop slouching. Gestures Vitarka mudra, Tarim Basin, 9th century. . Gestures are movements with oneââ¬â¢s hands, arms, or face that communicate a particular message. The most common gestures are emblem gestures or quotable gestures that are learned within a particular cultural to communicate a particular message. For example, in the Western world, waving oneââ¬â¢s hand back and forth communicates ââ¬Å"helloâ⬠or ââ¬Å"goodbye.â⬠Emblem gestures can vary by cultural space so widely that a common gesture in one context is offensive in another. Facial gestures, or facial expressions, are a particularly communicative form of gesture. Facial expressions are more difficult for the ââ¬Å"speakerâ⬠to manipulate, given that so many micro-movements are involved in the creation of one expression. This makes facial gestures extremely efficient and honest, and are therefore heavily relied upon in by the ââ¬Å"listenerâ⬠in evaluating the ââ¬Å"speakerââ¬â¢sâ⬠assertions. Clothing Clothing is a means of communicating nonverbally that relies upon materials other than
Thursday, December 19, 2019
Is Medpromise A Health Hub - 962 Words
ABOUT US: Who are we? MedPromise is a health hub. We are formed as a new trend in the medical industry. The main agenda of our company is to provide services to patients, hospitals and pharmacies through out the globe. Our company can compete with the current market and can increase the service levels as required by the market in the regular basis. What are we? Our company has various services like providing information of best Hospitals throughout the globe, providing information of doctors and their experience in different fields like neurology, Cardiology, Gynecology and many others, providing latest medical equipment required by the hospitals, providing advanced and latest medicines to the pharmacies located in the hospitals. Weâ⬠¦show more contentâ⬠¦Our company has a emergency number that is linked up with the state emergency services which helps in providing ambulance services to the patients. The software also has a option of diagnostic center search, which gives the information on best diagnostic center available. When are we? Our project planning has almost been done and it will mostly be implemented in the very near future i.e, in the next week(1st week of September). Where are we? Our companies headquarter is based in Harrisburg, PA. From here we are having the huge database connecting globally with different hospitals and health care team we provide services for all the people in the world updating the health information. Our Marketing team will be moving globally to run the organization with the effective surveys and strategies. Technical support team will be developing the product and the customer support service centers are located in major countries. Why are we? We are here to provide the information of the list of hospitals and services which they are offering, with this people can have a wide range of choice regarding the health care and service industry. This will be a one stop destination for people in healthcare sector. Weââ¬â¢re dedicated to fulfill the promise of human potential, in all places, in all aspects and in various stages of life. We believe in health is valuable than everything and thatââ¬â¢s why our
Wednesday, December 11, 2019
Absurdist acting style Essay Example For Students
Absurdist acting style Essay Lawsons actors utilize an Absurdist acting style through the foul and raw language, the sporadic singing and dancing and even through their use of props. The overt sexual references were aimed at shocking the audience and along with the over-dramatisation of events and the confrontation between characters and their issues, the elements of Absurdism are strongly reinforced. Another pivotal point within the production that amplifies Absurdist techniques is the scene in which Claire sits down alone with her son, Luke, an obsessive-compulsive drunk and exposes to his that he was unwanted and never loved by either of his parents. The didactic manner in which this scene is performed communicates a sense of alienation, again reinforcing the Absurdist elements within the production, aimed at creating subjective audiences. The surprising yet unsettling ending in which Claire burns her family to death expresses absurdist qualities in its abruptness and pure shock, presenting the harsh, materia listic society in which we live today. Another aspect of Urban Dingoes that consists of Absurdist elements is the unique characterization of Claire and the children, Margaret-Mary, Anne, and Luke. Their selfish and money-hungry attitudes and eagerness to dispose of their mother clearly represents typical absurdist theory. We see three children desperate to be loved; denied that fundamental human need by their mother and worried by the excessive fondness of their now long dead father, we can understand the broken lives that characterize their adult years. Claires often-indecipherable language and meaningless obscure remarks are also typical absurdist techniques along with her constant immoral laughing, especially during exposure of shocking occurrences. Amongst the plays Absurdist backdrop, Surrealist techniques are employed, complimenting both the absurdist script and characterization of Urban Dingoes. Surrealism was a means of reuniting conscious and unconscious realms of experience so completely, that the world of dream and fantasy would be joined to the everyday rational world in an absolute reality, a surreality.Ã A predominant Surrealist scene was the garage sale pitch Claire made. Empowering the entire performance, adding profundity and distancing the audience in an effort to transpose the intentions of the director and playwright. The grotesque and violent encounters of Claire with her children and the plays continuous reference to memories of both Claire and the children are typical characteristics of a surrealist production. At a deeper level, it involves as exorcism, not of the dead but of the living; an amends of memory and attachment.Ã The Feminist influence in Urban Dingoes is expressed predominately through the character of Claire, and to an extent Anne. These contrasting characterizations embody the feminist influence in the play from the two foremost social perceptions. Feminism is concerned with the advocacy of the rights of women on the basis of both similarity and difference. Pioneer feminists influenced a subjective new form of feminist theatre, which was dedicated to reconstructing the history of women and exploring the identities of women and fighting against the oppression evident in all forms of life. Contemporary feminist performance no provides the female performer with a clear voice and platform from which to expose and make visible womens issues and art. The characterization of Claire addresses the oppression of women in the role of mother and he common loss of identity that they suffer. Additionally, the loss of voice is addressed through the memories of Claire being sexually abused and her inability to be an individual within her own family. In comparison, Anne represents the feminist struggle of sexual provocation. Her own brother brands her a slut which is a representation of the social perception of sexually active women within society. .u30106fc7d333e12681ff01c861e51d5f , .u30106fc7d333e12681ff01c861e51d5f .postImageUrl , .u30106fc7d333e12681ff01c861e51d5f .centered-text-area { min-height: 80px; position: relative; } .u30106fc7d333e12681ff01c861e51d5f , .u30106fc7d333e12681ff01c861e51d5f:hover , .u30106fc7d333e12681ff01c861e51d5f:visited , .u30106fc7d333e12681ff01c861e51d5f:active { border:0!important; } .u30106fc7d333e12681ff01c861e51d5f .clearfix:after { content: ""; display: table; clear: both; } .u30106fc7d333e12681ff01c861e51d5f { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u30106fc7d333e12681ff01c861e51d5f:active , .u30106fc7d333e12681ff01c861e51d5f:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u30106fc7d333e12681ff01c861e51d5f .centered-text-area { width: 100%; position: relative ; } .u30106fc7d333e12681ff01c861e51d5f .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u30106fc7d333e12681ff01c861e51d5f .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u30106fc7d333e12681ff01c861e51d5f .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u30106fc7d333e12681ff01c861e51d5f:hover .ctaButton { background-color: #34495E!important; } .u30106fc7d333e12681ff01c861e51d5f .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u30106fc7d333e12681ff01c861e51d5f .u30106fc7d333e12681ff01c861e51d5f-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u30106fc7d333e12681ff01c861e51d5f:after { content: ""; display: block; clear: both; } READ: Dickenz in the 'hood EssayThrough these feminist characterizations, the desire for liberation is explored. Momentarily, the play addresses topics such as abortion and menstruation. This is purposely done in order to explain Claires struggle. Characteristic of Feminism, Urban Dingoes non-linear narrative structure symbolises the disjointed life women live, which disentangles without apparent lines of progress. The story through Claires eyes is a clutter of disjointed memories, flashbacks, and sequential order, in the eyes of a distressed woman. Through analysis of 20th century dramatic forms within the production is become clear that both Norman Price and Ian Lawson consider such theatrical forms including symbolism, absurdism, surrealism, and feminism influential. This versatile influence has created both an original and moving production in which the audience is presented with an emotive story and complex characters. Through such a utilization of theatrical form as in Urban Dingoes theatre can cultivate and develop new styles and goals of social improvement. Urban Dingoes successfully embodies the essence of 20th century theatre practice and appreciation. BIBLIOGRAPHY Gattenhof, S. 2004. La Boite Theatre Company Performance Cues for Urban Dingoes. http://www.laboite.com.au/08_education/Urban%20.pdf. (accessed 2nd October 2004).
Wednesday, December 4, 2019
Grapes Of Wrath/Sound And Fury Essays - Dust Bowl, U.S. Route 66
Grapes Of Wrath/Sound And Fury Throughout history, many devastating economic, social, and environmental changes have occurred causing people to rise and overcome immense odds. In the 1930s, The Great Depression and the Dustbowl Disaster, a drought with horrific dust storms turning once-fertile agricultural lands of mid-America into virtual wastelands, forced thousands of destitute farmers to pack their families and belongings into their cars in search of agricultural work in central California. Years of degradation stemming from the end of slavery beginning at the conclusion of the Civil War destructed the old southern aristocratic families. These different external influences impact on the characters is seen in John Steinbecks novel, The Grapes of Wrath, and William Faulkners novel, The Sound and the Fury. Steinbeck illustrates and advocates drastic external changes in the economy and life style of the downtrodden migrants, as he follows the Joad family from Oklahoma to California. Faulkner depicts the decline of the aristocratic south through the eyes of the Compson children. The external changes, The Great Depression and the Dustbowl, affected the Joads economically and emotionally. By economic standards the Joads were poor before the Dust Bowl. However, they believed they had economic value and importance by working their own 40 acres of land. Grampa took up the land, and he had to kill the Indians and drive them away. And Pa was born here Then a bad year came and he had to borrow a little money. An we was born here. And Pa had to borrow money. The bank owned the land then, but we stayed and we got a little bit of what we raised(Steinbeck 45). Losing the farm, being forced to leave their home in a search of work, meant the loss of their social values. To the Joads, value and life importance rest in working the land and this ideology of the past made their emotional adjustment to being a wondering, an Okie, even more difficult. The moving, questing people were migrants now. Those families which had lived on a little piece of land, who had lived and died on forty acres, had now the whole West to rove in. And they scampered about, looking for work; and the highways were streams of people, and the ditch banks were lines of people. (Steinbeck 107) Searching for the feeling of importance and belonging in the ethics they were raised to believe in, the Joads were unable to derive importance from their present life importance. Some emotional evolution of the family is shown best by the character Ma. Ma experienced the greatest change from thinking only of keeping her immediate family together, accepting that a broken-family will not be able to accomplish anything, to believing in a social extended family. In the evening a strange thing happened: twenty families became one family, the children were the children of all the loss of home became one loss, and the golden time in the West was one dream. (Steinbeck 235) The Joad family through their journey experienced the benefit of people uniting to accomplish goals. Ma said it best when she said, Use'ta be fambly was fust. It ain't so now. It's anybody. Worse off we get the more we got to do. (Steinbeck 305) Ma, expressing volunteerism, presents the transition from thinking of ones self to being concerned for humanity. One of the main realities of human existence is the constant, unceasing passage of time. The unstoppable eternal force of time exemplifies the affects of the Civil War on the aristocracy of the south. Though the novel is mostly about the internal conflicts within the family, the external events of the time periods influence can be seen through the character Quentin. Quentins obsession with the past, which results in his obsession with the passage of time, is a central theme of not only the Quentin section but of the entire book. This living in the past ideology is the key to understanding what Faulkner is trying to say about the decay of Southern culture and traditions. The watch ticked on. I turned the face up, the blank dial with little wheels clicking and clicking behind it. (Faulkner 80) Quentin cannot stop time. Just as the decay of the southern culture cannot
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